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作 者:李晓弟[1]
机构地区:[1]昆明理工大学艺术与传媒学院,云南昆明650500
出 处:《昆明理工大学学报(社会科学版)》2013年第6期79-84,共6页Journal of Kunming University of Science and Technology(Social Sciences)
基 金:云南省哲学社会科学规划项目"当代云南少数民族绘画研究"(YB2012088)
摘 要:当代云南少数民族绘画呈现出多样化的形式、风格和灿烂的光彩,面对现代社会科技、经济的飞速发展、社会转型和国际化进程的影响,少数民族的生活和观念也产生了很大的变化,作为反映社会生活的晴雨表的民族绘画发展也出现二元化的势头。为促进少数民族绘画可持续性发展,我们针对存在的现实问题提出有效的对策,实事求是地加强理论研究,充分利用现代多元文化并存和共同发展的大好时机,揭示少数民族绘画显性、隐形的社会价值,探索发展路径,实现政府、专家学者和少数民族群众的有效合作,走好群众路线,维护好少数民族绘画赖以生存的民族文化生态圈,为其长远利益和发展打下扎实的基础。The contemporary Yunnan minority drawings present the diversification of the forms,the styles and the brilliant colors.Facing the modern technical progress,the economic development,the social reform and the internationalization advancement,the lives and the ideologies of the Yunnan minorities have also undergone great changes.The minority drawings and paintings,as the barometer reflections of the social life of ethnic peo-ple,also show the trend of dualistic development.For the sustainable development of minority paintings,we propose some effective countermeasures against the existing realistic problems by strengthening the theoretical studies,taking advantage of the co-existence and common development of modern multi-cultures,thus revea-ling the intrinsic social values of the dominant minority paintings and exploring the developmental approaches. In this way,the effective cooperation between governments,experts and minority people can be achieved so as to safeguard the cultural ecosystem of the minority painting and lay a solid foundation for its long-term benefits and development.
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