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作 者:梁晓霞[1]
机构地区:[1]华南师范大学,广东广州528225
出 处:《兴义民族师范学院学报》2013年第4期68-70,共3页Journal of Minzu Normal University of Xingyi
摘 要:"凌烟阁"本是唐代帝王图绘功臣的一个地方,但在诗人的笔下,却成了功名和荣誉的象征,成了他们念兹在兹、难以割舍的一个情结。通过这一情结的梳理,我们见证了唐代诗人走向功名又走出功名的心路历程。如果说在唐代诗人对"凌烟阁"的向往中我们感受到的是他们的激情与壮志的话,那么在他们对"凌烟阁"的否定中我们感受到的则是他们的深沉思考与新的追寻。"LingYan Ge"is a place the tang dynasty emperor please the painter to portrait for the weight, but in the poems, this place is a symbol of honor and a complex the poets were difficult to give up. Through the relevant poems, we have seen the fact tang dynasty poets once love fame , then they look down on fame. In such a process, we have seen their ambition in their yearnings for " Ling YanGe" and their new pursuits in their denial for " LingYanGe".
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