前有启林人 后有来继者——五四文学与当代青春文学革新意义比较  

Pioneers Go Ahead and Successors Come After——A Comparison of the Innovative Significance between the May Fourth Literature and the Modern Youth Literature

作　　者：焦守红[1] 

机构地区：[1]湘南学院中文系,湖南郴州423000

出　　处：《湘南学院学报》2013年第6期39-43,共5页Journal of Xiangnan University

基　　金：湖南省哲学社会科学基金课题"五四青春文学与当代青春文学革新意义比较"(12YBB238)

摘　　要：中国现代史上,每当社会出现重大转折时青春文学总是走在时代的最前列,通过对文学传统的颠覆或补充来影响和推动所在社会文化的变革转型。通过把五四文学与当代青春文学加以比照,发现当代青春文学虽然没有像五四文学一样担负济世救国、启蒙载道的重任,却以与主流文坛平分秋色的创作实绩改变了传统文学资源配置体系,为经济兴国作出了积极贡献,二者有着变革创新的同质性;五四文学改写了中国社会和文学历史,当代青春文学是对五四文学的续写和补充。In chinese history, whenever there is important social transition, youth literature goes ahead and influences and pushes forward the transformation of social culture by way of subvertion or supplement of traditional culture. A comparison of may fourth literature and modem youth literature shows that the innovative success of modern youth literature, which is on an equal footing with a mainstream literature, changes traditional literature resource allocation system and make a positive contribution to Chinese economics, though it doesn＇t salve or en- lighten the nation as may fourth literature. Both of them have the same revolutionary characteristic, but the may fourth literature rewrites Chinese society and literary history while the modem youth literature supplies it.

关 键 词：五四文学 当代青春文学 社会变革意义 文学变革意义 

分 类 号：I206.7[文学—中国文学]