毛泽东时代美术中的鲁迅图像  

The Image of Lu Xun in Fine Arts from 1949 to 1976

作　　者：沈伟棠[1] 

机构地区：[1]浙江大学人文学院,浙江杭州310012

出　　处：《海南师范大学学报（社会科学版）》2013年第11期120-125,共6页Journal of Hainan Normal University(Social Sciences)

摘　　要：鲁迅图像是毛泽东时代文化理想与大众认知相匹配的产物,也是艺术家进行身份构建的道具,其实质为文化偶像的视觉呈现。鲁迅形象在不断地被毛泽东概念化的同时,这种概念化本身成了一个再想象的基础,从而衍生出诸多新的"鲁迅形象"。这些"鲁迅形象"不是历史的真实再现,而是真实鲁迅的仿像,由此导致的形象错觉阻隔了观者探求原形鲁迅的视线。鲁迅图像以视觉的方式见证了那个时代特殊的文化心态。The image of Lu Xun from 1949 to 1976 is a product matching cultural ideals with the popular cog- nition as well as a means to the establishment of the artist＇ s identity, whose essence is the visual presentation of the cultural icon. Along with the conceptualization of the image of Lu Xun came the basis for a re-imagination, thus leading to numerous new ＂images of Lu Xun＂ during that period. These ＂images of Lu Xun＂ are not a true repre- sentation of history but a simulacra of real Lu Xun, thereby having resulted in an image illusion and prevented viewers from an authentic image of Lu Xun. The image of Lu Xun has visually witnessed the special cultural men- tality of that era.

关 键 词：鲁迅图像 视觉文化 再现 匹配 仿像 

分 类 号：J120.9[艺术—艺术理论]