故事情节化解释模式:海登·怀特历史叙事的审美观照  

The Aesthetically Random Talks on Hayden White's Mode of Emplotmental Explanation

作　　者：翟恒兴[1] 

机构地区：[1]浙江海洋学院人文学院,浙江舟山316022

出　　处：《浙江海洋学院学报（人文科学版）》2013年第5期23-31,共9页Journal of Zhejiang Ocean University(Humane Science)

基　　金：2010年教育部人文社会科学研究项目"故事诗学--海登.怀特历史叙事的文艺学思想内涵"(编号:10YJC751114)的阶段性研究成果

摘　　要：海登·怀特的故事情节化解释模式是在弗莱故事原型理论、克罗齐表现主义美学与尼采审美思想影响下提出的。海登·怀特的四种故事情节化解释模式分别突出了喜剧妥协论、悲剧的"融合"趋势、浪漫剧的"救赎"主题和讽刺剧的"反救赎"主题,阐释了历史文本中的快乐体验、忧郁体验、悲壮体验和挫败体验。他将这一理论用于研究十九世纪欧洲经典史学著作,是对经典历史文本的审美阐释、对历史"瞬间美"的挖掘和对改造历史的审美尝试,彰显了现代审美意识,具有不可忽视的审美价值。Influenced by Northrop Frye＇s prototype, Benedetto Croce＇s Expressionist Aesthetics and Nietzsche＇s tragic thought respectively, Hayden White proposed four modes of emplotmental explanation which emphasize the reconciliations of comedies, the trend of blending of tragedies, the redemption theme of romance, and the anti-redemption theme of satire, and then explain the joyous experience, the sentimental experience, the solemn experience, and the frustrating experience. Hayden White uses the theory to examine the nineteenth-century European classic historical works, which is an aesthetic interpretation of classic historical texts, an excavation of the momentary beauty in history, an aesthetic attempt to reform history, and a show of modem aesthetic consciousness. Hayden White＇ s practice of this theory has important aesthetic value.

关 键 词：海登·怀特 故事情节化解释模式 审美观照 

分 类 号：G625.1[文化科学—教育学]