论梁实秋的新诗文体观  

On the Stylistics Concept of Liang Shiqiu's Free Verse

作　　者：赵黎明[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《中国文学研究》2014年第1期27-32,58,共7页Research of Chinese Literature

基　　金：作者教育部人文社科规划基金西部项目"现代中国古典主义‘新诗’理论研究"(编号10XJA751006)的阶段性成果

摘　　要：本着为"新诗前途"的担忧,梁实秋对于新诗文体进行了多层次多侧面的探索。在理性节制情感的原则之下,他坚持新诗创作要把意绪注入一个美的模型,强调诗的形式之于新诗不可或缺,但是更为强调"诗的内容"之于新诗的决定意义;他将诗歌与散文、音乐、绘画进行区分,试图找出诗之为诗的文体属性;他通过新旧之辨,显现新诗的"新"意;也通过中外之辨,彰显民族特色。这些探索显示出一位新诗文体家为新诗立法的自觉使命感,对中国新诗的理论与实践无疑都具有十分重要的意义。Liang Shiqiu conducted multi-level and multi-aspect exploration on poetry Style on account of the future of Chinese free verse.Under the premise of rational emotion,he insist that emotion must be controlled by the model of beauty. On the one hand, the form of poetry for poetry is indispensable,on the other hand, the content of poetry has more decisive value for free verse.In order to find out the attributes of poetry style, he makes a distinction between poetry and prose, poetry and music, poetry and painting. For the sake of exploring the new style factors, he make a comparison of the old and new, and in order to reveal ethnic characteristics,he also likes making comparisons between Chinese poem and foreign one. All these explorations show a conscious sense of mission of a stylist for the legitimacy of the new poetry, therefore being of particular significance for the theory and practice of Chinese new poetry.

关 键 词：梁实秋 新诗 文体观 

分 类 号：I0[文学—文学理论]