任伯年绘画中的日本因素  

Japanese Factors in REN Bo- nian's Paintings

作　　者：谢建明[1] 

机构地区：[1]南京艺术学院,江苏南京2100131

出　　处：《贵州大学学报（艺术版）》2013年第4期41-47,共7页Journal of Guizhou University Art Edition

基　　金：国家社科学基金[项目编号:13BZX092]阶段性成果之一

摘　　要：晚清时期,上海是世界性的大都市,也是中日文化尤其是书画艺术界交流的中心。任伯年在胡公寿、张熊等人的帮助下,进入了上海艺术圈,也与日本文化艺术界发生了关联。他不仅继承传统、吸收西方油画技法,而且也从日本民间漆器和浮世绘中寻找创新艺术的灵感,从而创造出独特的艺术形象,成为海上画派的巨擘,任伯年绘画中的题材、色彩、构图等图式语汇有日本漆器和浮世绘的因素,这对于文化交流有很重要的启示意义。Shanghai was not only a cosmopolitan metropolis, but also an exchange center in the late Qing dynasty for Chinese and Japanese cultures, especially for the art circles of calligraphy and paintings. With the help of HU Gong - shou, ZHANG Xiong and others, REN Bo - nian entered Shanghai art circles and got in touch with Japanese artistic world. Not only did he inherit the tradition and absorb the Western oil painting techniques, but also he drew inspiration from Japanese folk lacquer and ukiyoe for innovation, which helped him to create the unique artistic images and become the giant of the Hai School. Japanese factors, such as, lacquer and ukiyoe, can find their influence on REN Bo - nian paintings in the subject, color and composition which are of great significance for cultural exchanges between Japan and China.

关 键 词：任伯年 绘画艺术 日本因素 中日文化交流 

分 类 号：J20[艺术—美术]