食指“地下诗歌”的价值——以《这是四点零八分的北京》和《相信未来》为例  

The Value of Shi Zhi's “Underground Poetry” ——Take Beijing at Four Eight and Believe in the Future as Examples

作　　者：丁燕燕[1] 

机构地区：[1]山东农业大学文法学院,山东泰安271018

出　　处：《宁波广播电视大学学报》2013年第4期32-34,105,共4页Journal of Ningbo Radio & TV University

摘　　要：不同于文革主流诗歌,食指的"地下诗歌"捕捉普通人日常生活点滴,关注个人情感体验,使诗歌的抒情主体与抒情客体向个人化、日常化回归;他突破主流诗坛乐观昂扬纯粹单一的抒情模式,正视精神痛苦,情感抒写丰富复杂,承续了中国诗歌含蓄、暗示、暧昧的美学传统;食指以高度个性化的语言形式与意象营造冲破时代精神与语言牢笼,抒写人性的美好,在诗歌中恢复了人的尊严。Different from mainstream poetry, the“underground poetry”of Shi Zhi captures details of common people＇s daily life, pays attention to personal emotion experience and makes the lyrical subject and object individual and daily returns. He breaks the optimistic, pure and simple mode of mainstream poetry, faces mental anguish and the emotion expression is rich and complex. He inherits aesthetic traditions of Chinese poetry, breaks the spirit of the age and language cage with highly personalized language form and image, describes the beauty of the human nature and restores human dignity in his poetry.

关 键 词：食指 地下诗歌 价值 

分 类 号：I206.7[文学—中国文学]