沿淮花鼓灯服饰的造型风格探究  

On the Stylistic Features of the Flower- drum Dance Clothing Along the Huaihe River

作　　者：索峰[1] 戎龚停[2] 

机构地区：[1]阜阳师范学院美术学院,安徽阜阳236041 [2]阜阳师范学院音乐学院,安徽阜阳236041

出　　处：《阜阳师范学院学报（社会科学版）》2014年第1期25-27,共3页Journal of Fuyang Normal University：Social Science Edition

基　　金：皖北文化研究中心自设一般项目"颍河流域民俗美术原始资料汇编"(2013WBZX06);安徽省教育厅人文社会科学研究重点项目"淮河流域民间歌舞艺术生态研究"(SK2013A141)

摘　　要：沿淮的花鼓灯服饰通过具象的外化形式反映出淮河两岸灯舞的风格特点,体现了沿淮民众的造型观念、色彩心理等审美思想。花鼓灯服饰的发展衍变随着时代变迁、文化语境的改变沉淀了深厚的精神思想内涵,透视出了淮河流域花鼓灯灯舞服饰审美风格的变化,这对进一步研究淮河流域服饰造型的演变、现状及其传承发展趋势具有借鉴作用。Flower - drum lanterns clothing reflects the latem dance style in Huaihe River through the externalization of representational form, reflects the characteristics of modeling, the color psychology and other aesthetic thoughts and culture mentality of the masses. Flower- drum lanterns clothing has profound spiritual connotations with the change of the time, and cultural context. A look at the aesthetic style changes of flower- drum lanterns clothing can help one to better understand the evolution, status and development of clothing styles along Huaihe river.

关 键 词：花鼓灯服饰 造型风格 审美 

分 类 号：J722.212[艺术—舞蹈]