夏目漱石《梦十夜》第一夜解析——东西方文明的碰撞与本土文化的坚守  

Interpreting the First Night in Natsume Souseki's “Ten Nights of Dreams” ——Eastern-Western Cultural Collision and Native Culture Adherence

作　　者：高鹏飞[1] 李亚男[1] 

机构地区：[1]哈尔滨理工大学,黑龙江哈尔滨150080

出　　处：《哈尔滨学院学报》2014年第1期81-84,共4页Journal of Harbin University

基　　金：黑龙江省研究生创新科研项目;项目编号:YJSCX2012-003HLG

摘　　要：夏目漱石是日本著名作家,被日本人民称为"国民大作家"。在文明开化与自我苦闷的环境下成长起来的夏目漱石,就其思想变化历程而言,是十分痛苦的。绮想缤纷、诡异唯美的《梦十夜》便以一种看似不着边际的构思和精妙的语言反映了夏目漱石对本土文化的深沉热爱与绝不舍弃之情,以及对盲目全盘西化的批判。在彷徨与苦闷的文字中,寄托了作者期盼近代化的成功和对本土文化的坚守。Natsume Souseki is a famous Japanese writer, known as ＂the great national writer＂. Growing up in the environment of Bunmei Kaika and self-anguish,he experienced a painful process of thinking change. His ＂Ten Nights of Dreams＂ ,full of beautiful and mysterious color, reflects his love and adherence to his native culture,though with imaginative conception and refined language, and criticism upon the idea of full westernization. His works, telling his hesitation and depression, carry his expectation of modernization and adherence of the native culture.

关 键 词：《梦十夜》 碰撞 东西方文明 本土文化 

分 类 号：I106[文学—世界文学]