笔法与“形似”:一种内在联系下的中国古代绘画  

Brushwork and “Likeness”:Traditional Chinese Painting with an Inherent Relation

作　　者：施錡[1] 

机构地区：[1]复旦大学中文系

出　　处：《浙江艺术职业学院学报》2013年第4期70-79,共10页Journal of Zhejiang Vocational Academy of Art

基　　金：2013年度上海市教委创新项目<似与非似:西方视野中的中国古代绘画>资助项目。(项目编号:13YS063)

摘　　要：笔法与"形似",两个看似无关,实则有关的绘画要素——中国古代绘画中的笔法和画的"形似"之间的关系,这种辨析是在以西方绘画为参照系的前提下出发的。通过对画中笔法和"形似"的梳理,可得出中国古代绘画中的笔法对"形似"的四点影响,进而揭示了笔法是如何作为关键因素之一影响中国古代绘画"形似"的整体发展趋势,并如何造成中国古代绘画与西方绘画之间显而易见的差别的。Brushwork and ＂ likeness ＂ are two seemingly unrelated but actually related painting elements in traditional Chinese painting. The analysis takes Western paintings for reference. There are four influences of brush- work on ＂likeness＂ in traditional Chinese painting. The brushwork is one of the key elements influencing the overall development trend of ＂likeness＂ in traditional Chinese painting and causing the obvious difference between traditional Chinese painting and Western painting.

关 键 词：笔法 形似 文人画 书法入画 笔触 

分 类 号：J205[艺术—美术]