心物关系中的生命意识——《文心雕龙》与《诗品》比较  

The Life Awareness in the Relationship between Mind and an Object ——Comparison between Wen Xin Diao Long and Shi Pin

作　　者：陈迪泳[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《南昌大学学报（人文社会科学版）》2014年第1期123-129,共7页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：广东省哲学社会科学"十二五"规划一般项目"哲学视域下<文赋>与<文心雕龙>比较研究"(GD11CZW01);湛江师范学院人文社会科学研究青年项目"<文心雕龙>与<文赋>的创作理论及文化心理的比较研究"(QW1002);中央财政支持地方高校发展专项资金项目"汉语言文学‘三维一体’科研创新团队项目"(财政【2012】140号)

摘　　要：《文心雕龙》和《诗品》不约而同地描绘了文学活动中心对物的勃发过程:萌动于咏情、发展于尚气和重兴、旨归于爱秀,心物关系理论蕴含刘勰和钟嵘共同的生命意识——感物的社会责任。刘勰在回归自然、回归儒家和道家的回归意识驱使下"拟容取心",心对物的情感是"见异"中求"趣新";钟嵘在"掎摭病利""干之以风力,润之以丹采"的精英意识驱动下"直寻""自然英旨",心对物的情感是怨悲。Wen Xin Diao Long and Shi Pin describe the literary activities coincidentally about the objects during the blooming：beginning to express feelings, developing in the respect for the ancient Chinese ＂qi＂. The purpose is to pursue the beauty of the article. The theory of the life awareness in the relationship between mind and an object implies Liu Xie and Zhong Rong＇ s common awareness of life a sense of the social responsibility of objects. Liu Xie was motivated by the return of awareness： in the return to nature and return to Confucianism and Taoism. The appearances of objects intake their spiritual essence. The emotional mind of the objects is to see the same in difference, see the fresh in the flat, and see the mediocrity in exotic. Zhong Rong was driven by Consciousness of Elite in the intuitive perception of myself mind friction with the material world relative to the impact phase. Emotional mind of the objects is the resentment sad.

关 键 词：《文心雕龙》 刘勰 《诗品》 钟嵘 心物关系 生命意识 

分 类 号：I206.35[文学—中国文学]