汉代墓俑雕塑的造型观与汉代气论之“形、神”论  

The Sculptural Conception of Tomb Sculptures in Han Dynasty and the Theories of “Form” and “Spirit” in the Conception of Pneuma in Han Dynasty

作　　者：屈峰[1] 

机构地区：[1]中国艺术研究院

出　　处：《雕塑》2013年第6期32-35,共4页Sculpture

摘　　要：直观审视,汉代墓俑雕塑造型语言的特点可以总结为高度的概括性、夸张性和几何化倾向。而这些造型语言的特点,简单看来则来源于运用了几何化倾向的形体对现实事物的造型进行归纳、概括、提炼、夸张和变形处理的手法,而实质上这是一种制作者对于所表现的事物的形象进行的审美重构。这种重构从审美形成的原因来考量。The establishment about Monism of pneuma in Han dynasty made people consider that the origin of everything in the world was belonged to pneuma,and the pneuma was the essence of everything in the world.According to the theories of pneuma,things are constructed with ＂form＂ and ＂spirit＂ jointly, ＇thing＇ is the unity of form and spirit.The forms of figures and animals of the tomb sculptures in Han dynasty was based on the theories of pneuma,and also related to the combination of the theories in terms of Yin and Yang ,so that the sculptures in Han dynasty contains the natural expressive methods of the original forms of things and also indicated people＇ s perceptions about the relationships between forms and spirits of things.This article manifests the specific research of the characteristics and meanings about sculptural methods of the tomb sculptures in Han dynasty,in order to discover why the tomb sculptures in that period could produce a kind of sculptural conception with regard to %pirit dominates the form,the form is subordinative and it belongs to spirit＂ .

关 键 词：汉代人 造型观 雕塑 气论 审美重构 造型语言 夸张性 概括性 

分 类 号：K879.3[历史地理—考古学及博物馆学] J305[历史地理—历史学]