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作 者:刘吉平[1]
机构地区:[1]陇南师范高等专科学校
出 处:《雕塑》2013年第6期58-60,共3页Sculpture
基 金:甘肃省教育科学"十二五"规划2013年度课题"民间美术视野下师范院校艺术类课程建设研究"(课题编号:GS[2013]GHB0846)阶段性成果
摘 要:文县田家大院是陇南保存较为完整的建筑群落,院落布局独特、建筑雕饰精美。主厅雕饰具有典型的湖湘雕饰古朴端正、绵密流丽的特征。而厢房雕饰融繁密细致、稳定敦厚、简洁疏朗为一体,表现出强烈的南北文化相融合的意趣。显示了中国下层知识分子"达则兼济天下,穷则独善其身"的德性化人格追求。田家大院雕饰文化多样化风格及其变迁过程正是南北文化,特别是蜀陇古道文化交流最有力的见证。The Tian courtyard is a relatively intact preservation community, it has the unique courtyard lay- out and carved building. The main vulture has the typical primitive simplicity, smooth flowing character- istics in Huxiang. And the wing-room acts as an organic whole of incredibly detailed, stable and gentle characteristics, showing the strong interest of the integration of civil culture. It shows a kind of pursuit--- "Being a poor, mind your own business. Being a rich, help everyone in the world. of the lower Chinese intellectuals. The polychromy of Tian courtyard acts as the role of cultural diversity and its process of trans- formation, which was the most powerful testimony of the civil culture, especially the civil culture in the Si- chuan and Longnan.
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