传统音乐语境与现代作曲技法的沟通——叶小纲室内乐《芙蓉》音乐分析  

Traditional Musical Context and Modern Composing Technique-Analysis of YE Xiaogang's Chamber Music Lotus

作　　者：常林[1] 姚尧 

机构地区：[1]华东师范大学音乐系 [2]美国阿肯色中央大学音乐系

出　　处：《音乐艺术（上海音乐学院学报）》2013年第4期75-84,5,共10页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：文章通过分析叶小纲室内乐作品《芙蓉》,以和声结构、织体形态、曲式结构为切入点,探讨该作品的中、西作曲技法融合,与相关的传统民族音乐形态以及古代文人美学思想的关系,从而促进我们对中国现代音乐的初步认识以及对中国现代音乐现状的思考和展望。From the perspectives of the structures of harmony,texture and form,the writers explore the fusion of Chinese and Western techniques in the composition,as well as its relations with pertinent Chinese traditional musical morphology and ancient literati aesthetics. By doing so,as they say, we can produce an outline of Chinese modern music and urge us to think about its prospect from its status quo.

关 键 词：叶小纲 《芙蓉》 中国传统音乐语境 西方现代作曲技法 

分 类 号：J614.3[艺术—音乐]