“并喻文化”:维吾尔族音乐文化传承的应有之音  

“Co-figurative Culture”:The Voice to Cultural Inheritance of Uygur Music

作　　者：赵艳[1] 

机构地区：[1]陕西师范大学教育学院,陕西西安710062

出　　处：《贵州民族研究》2014年第1期59-62,共4页Guizhou Ethnic Studies

基　　金：2013年教育部人文社会科学研究青年基金项目"维吾尔族木卡姆教育传承研究"(项目批准号:13YJC760119)

摘　　要：文化的全球化是一种必然要面临显性争议的过程,因文化作为人类本质力量的对象化所特有的民族区别性,便不可追求单向度的、统一化的效率原则,因此,文化全球化就必然带来文化的相对主义效应,即民族文化自觉运动的兴起。文化的自觉也就必然意味着文化的传承以及对这种传承的态度。本文从这个背景出发,以标榜文化传承方式的现在模式的并喻文化为认识和解读视角,分析极具代表性的维吾尔族音乐在文化传承上的意识流变和理想图景。Cultural globalization is a process must face dominant controversial, because of cultural difference as national peculiar to human essential strength target, will not be the pursuit of one-way, unification of the principle of efficiency, therefore, the cultural globalization will inevitably bring about the relative principle effect of, culture, which is the rise of national culture conscious movement. Cultural consciousness will inevitably means that the transmission of culture and atlitude to this inheritance. In this paper, from the background, to the now pattern as cultural inheritance way and co-figurative culture for the understanding, and interpretation of the analysis perspective, representative Uygur folk music in the cultural heritage of the consciousness change and ideal picture.

关 键 词：并喻文化 维吾尔族音乐 文化传承 

分 类 号：G607.15[文化科学—教育学]