乾嘉之际诗歌自我表现观念的极端化倾向——以张问陶的诗论为中心  

The Extreme Tendency of Self-Expression in the Poetry of Qian-Jia Reign Period—— Focusing on Zhang Wentao's Poetic Criticism

作　　者：蒋寅[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《复旦学报（社会科学版）》2014年第1期114-126,共13页Fudan Journal（Social Sciences）

摘　　要：清代乾隆、嘉庆之交,在性灵派思潮的鼓荡下,诗歌写作明显形成一种强调自我表现而走向极端化的倾向,具体表现为由反对模拟进而漠视古人和传统,强调自我表现的绝对价值,以至于放弃独创性概念。被视为性灵派后劲的著名诗人张问陶正是一个有典型意义的代表,他的诗论清楚地显示出性灵派走向极端的趋向。During the Qian-Jia reign period in the Qing Dynasty, with the promotion of the spiritual school, poetical writing got an extreme tendency that heavily emphasized self-expression. It opposed imitation and further ignored the ancients and traditions, emphasizing the absolute value of self-expression so that to give up the concept of originality.Poet Zhang Wentao, who is regarded as the later backbone of the spiritual school, is a typical representative that his poetic criticism clearly shows the extreme tendency.

关 键 词：乾嘉诗坛 自我表现 极端化 张问陶 

分 类 号：I207.22[文学—中国文学]