论初盛唐东北边塞诗及其政治军事背景  

The Discussion about the Northeast Frontier-style Poetry of the Early Tang Dynasty and Their Political and Military Background

作　　者：余恕诚[1] 王树森[2] 

机构地区：[1]安徽师范大学中国诗学研究中心,安徽芜湖241000 [2]安徽省社会科学院文学研究所,安徽合肥230051

出　　处：《吉林师范大学学报（人文社会科学版）》2014年第1期22-28,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：国家社科基金项目"唐代有关吐蕃诗歌研究"(编号:11BZW039)

摘　　要：初盛唐时期的东北边塞诗创作大体上可分为三个阶段:第一阶段以唐太宗为代表;第二阶段以陈子昂为代表;第三阶段以高适为代表。东北边塞诗具有丰富的内容,情感基调呈现明显的阶段性变化,特别是将陈子昂、高适的东北边塞诗与开元、天宝时期的西北边塞诗相对照,会发现前者写边疆负面现象较多,情绪不及西北边塞诗高昂。这种差异,只有统观唐代武后至玄宗后期从国家西陲到东北的总体边疆形势、民族关系态势以及朝廷的应对策略,将相关诗歌置于初盛唐时期总体民族关系态势影响下的各战区实际状况之中,方可获得更为清晰的认识。The northeast frontier fortress poems of the early Tang Dynasty can be divided into three stages： The representative poet of the first stage is Tang Taizong; the second stage is represented by Chen Ziang; the third stage is represented by Gao Shi. The northeast frontier poems are rich in content, and the emotional keynote presented phase changes, especially take Chen Ziang,and Gao Shi＇s northeast frontier poems to contrast with the Northwest Frontier frontier Poems of Kaiyuan-Tianbao period, we will find the former writing more negative emotions than the northwest frontier fortress poem. This difference, only with the overall frontier situation of the early Tang Dynasty through the western and eastern, ethnic relations situation and the coping strategies, take the poetry under the influence of each of the war situation, can get a clearer understanding of them.

关 键 词：边塞诗 东北 吐蕃 唐太宗 陈子昂 高适 

分 类 号：I206.2[文学—中国文学]