美国黑人女性小说与文化身份批评研究  

The Study of Cultural Identity in Afro-American Feminist Novels

作　　者：王军[1] 高楠[1] 

机构地区：[1]吉林师范大学外国语学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2014年第1期65-67,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：吉林省社会科学基金项目(编号:2013wy09)

摘　　要：美国黑人女性小说中的身份、性别、阶级和政治等主题的书写契合了西方后学的批评理论范畴。黑人女性作家自觉地将文学创作与美国黑人女性主义思想相观照,她们为黑人文学分别注入了性别成分、种族成分和文化成分。黑人女性主义文本不仅彰显了黑人女性文学作为一门学科的独立性与自主性,更进一步推动、促进了黑人女性文化身份的建构与发展。黑人女性主义将逆转黑人女性身份被边缘化的境遇,颠覆和拆解黑人女性身份被客体化、被边缘化的命运结构。The contemporary Afro-American feminist novels＇ writings about the Afro-American women＇s identity, gender and class issues have corresponded to the critical view and thought category of the western post criticism. Among the schools of the Afro-American feminism literature and criticism, Afro-American women writers have brought gender, race and culture into the Afro-American literature, which not only has made the Afro-American feminism literature stand out as an independent subject, but also has promoted and extended the construction and development of Afro-American women＇s cultural identity. Afro-American feminism has rewritten and overturned the marginal fate of Afro-American women.

关 键 词：黑人女性小说 身份批评 黑人女性主义 后学 

分 类 号：I106.4[文学—世界文学]