论新世纪诗歌写作的叙述策略  

Narratological Strategies in New Century's Poetry Writing

作　　者：赵金钟[1] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048

出　　处：《湛江师范学院学报》2014年第1期62-66,共5页Journal of Zhanjiang Normal College

基　　金：广东省哲学社会科学"十二五"规划2011年度学科共建项目(GD11XZW12);中央财政支持地方高校发展专项资金项目(财政[2012]140号)

摘　　要：21世纪以来,因"第三代"而来的叙述之风依然盛行,但表现得不再像"第三代"同仁那样狂热与偏执。一些诗人开始自觉地将叙述作为一种有效的方法运用于自己的诗写之中。同时,也开始思索这种方法所能达到的艺术高度和其与生俱来的某种局限,不再把它当成无往而不胜的艺术图腾。辩证地处理抒情与叙事的关系,力争让叙事与抒情作无间的融合,让诗性表达在多元共生的状态中完成,已成为诗人写作的共识。"冷抒情"、"留有余地"的叙述方式以及运用细节、场景、戏剧手法构建诗的"隐喻"体系等,成了叙事性写作的重要手段与策略。The wind of the narration of the ＂third generation＂ blows still strongly when entering the 21st century though, it is not so fierce and bigotry. Instead of worshiping it as a peerless art totem, some poets begin consciously to make it an effective narration in their composition. Trying to fuse narration and feelings expression and making the poetical expression complete in a state of coexisting writing elements become the consensus among these poets. Narratological strategies like ＂coldly expressing the feelings＂ and ＂leaving space of imagination in advance＂, together with the measures of metaphor construction such as detail illustration, setting and dramatic narration, are major things in the poet＇s narratological writing.

关 键 词：诗歌 叙述 冷抒情 隐喻 

分 类 号：I207.25[文学—中国文学]