康德美学中审美愉快与官能和谐之关系  

The Relationship between Aesthetic Pleasure and the Harmony among the Faculties in Kantian Aesthetics

作　　者：陶锋[1] 

机构地区：[1]南开大学哲学院,天津300071

出　　处：《美育学刊》2014年第1期35-40,共6页Journal of Aesthetic Education

基　　金：教育部人文社会科学青年基金项目<阿多诺美学与语言理论关系之研究>(13YJC720033);南开大学哲学院"985工程"青年教师科研资助项目(NKZX985QN-201301)的研究成果

摘　　要：知性和想象力两种官能的和谐运动与审美愉快之间的关系,是理解康德审美判断的关键之处。只有正确认识两者的关系,才能理解审美判断为什么不带概念却普遍有效,才能理解康德所说的"感性的意识到"官能和谐的含义。对两者的关系有着因果性与意向性两种阐释可能。通过比较这两种阐释,可以得出这样的论断:审美愉快具有意向性特征,它与官能和谐之间的关系是意向性的。The relationship between aesthetic pleasure and the harmony of intellect and imagination is crucial to understand- ing the aesthetic judgments in Kantian aesthetics. A correct understanding of this relationship can help us find out why these judgments, though containing no concepts, are universally valid and what Kant means by ＂ sensually perceiving＂ the harmo- ny among the faculties. There are two interpretations of this relationship, one of causality and one of intention, and a con- clusion can be drawn from a comparison of these two interpretations, namely, aesthetic pleasure has intentional features and its relationship with the harmony among the faculties is intentional.

关 键 词：官能和谐 审美愉快 意向性 二次反思 

分 类 号：B83-06[哲学宗教—美学] B516.31