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作 者:曲向红[1]
机构地区:[1]山东财经大学文学与新闻传播学院,山东济南250014
出 处:《西安交通大学学报(社会科学版)》2014年第1期107-110,共4页Journal of Xi'an Jiaotong University:Social Sciences
基 金:国家社会科学基金项目(08CZW020)
摘 要:宋词作为抒情性文体与宋杂剧交流互动,不仅吸收了宋杂剧的插科打诨,而且学习了宋杂剧的打猛诨出——以出人意料的转折结束全篇,从而形成了宋词的俗化;俗化的宋词既为杂剧提供了构思的灵感和源泉,通俗的曲调也为杂剧吸收,为杂剧的发展提供了支撑;宋词有雅化和俗化两条发展线索,雅化是众所周知的,俗化则是为人忽视的;在此研究基础上,从文学的发展规律阐释了雅化的宋词背景下所暗含的俗化潜流以及对金元时代俗文学繁荣的影响。It is pointed out that the interflow and interaction between Song -zaju and Song Ci -poems that , as a lyricist style, not only took in making impromptu comic gestures and remarks of Song - zaju but also learned their skill to finish the entire zaju with unexpected turn, thus fornling vulgarization of Song Ci - poems. The vulgarized Song Ci - poems not only provided conceptual inspiration and sources for Song - zaju, but the popular tune was also absorbed by Song - zaju, offering a support for its development. There are two clues for the development of refinement and vulgarization of Song Ci -poems. The refinement is well -known whereas the vulgarization is ignored. Based on the study, and from the law of literature development are interpreted the implicit potential undercurrent of vulgarization in the background of refined Song Ci - poems and the influences of the prosperity of vulgar literature during the Jin and Yuan periods.
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