节点或面：张艺谋翻拍《血迷宫》的跨文化误读  

A Node or an Interface:Cross-cultural Misreading in Zhang Yimo's Remake of Blood Simple

作　　者：西蒙·劳伦斯 马修伦(译)[1] 周学麟(校) 

机构地区：[1]奥克兰大学电影电视传媒系,新西兰奥克兰市

出　　处：《上海大学学报（社会科学版）》2014年第1期1-11,共11页Journal of Shanghai University(Social Sciences Edition)

摘　　要："创造性误读"指的是一种文化试图理解另一种文化并转为己用时,最终会对所借鉴文化产生误解或误用。前一种文化在这种互动中会产生出新鲜的东西,但这种新鲜的东西与原文化含义可能不同,甚至相反;从文化交流与增长的角度来看,这是一个重要且非常普遍的过程。创造性的跨文化误读是跨文化电影翻拍的标志,其中对"他者"的理解更非简单的"翻译"。2009年,张艺谋把科恩兄弟的惊悚片《血迷宫》(1984),翻拍成中国电影《三枪拍案惊奇》便是一个典型的案例,由此可以展示跨文化误读产生的丰富性特征。“Creative misreading” occurs when one culture misunderstands and misuses elements of a dif -ferent culture when it tries to understand and assimilate something of the source culture .The receiving culture may acquire something new in the process , which is different from or even directly opposite in meaning to that of the original culture.This kind of interaction, from the perspective of cultural exchange and growth , is quite common and of great importance .Creative cross-cultural misreading is actually a hallmark of the cross-cultural remake of movies, for the interpretation of the “otherness” thus involved is never simply a matter of “transla-tion”.In 2009, Zhang Yimou’s A Woman, a Gun and a Noodle Sho, which is a remake of Blood Simple, a film produced in 1984 by Joel and Ethan Coen , typically reveals the full richness and complexity of cross-cul-tural misreading.

关 键 词：创造性误读 电影翻拍 张艺谋 血迷宫 

分 类 号：G02[文化科学]