当代草书创作的审美取向  

The Aesthetic Orientation of Contemporary Cursive Script

作　　者：杨德鹏[1] 

机构地区：[1]汕头大学,广东汕头515063

出　　处：《韩山师范学院学报》2014年第1期67-71,共5页Journal of Hanshan Normal University

摘　　要：当代中国书法由实用性转向艺术性,由于人们审美需求品位的不断求变,各种书法赛事、展览的评审也倾向于追求展厅效应。因此,当代草书创作的审美取向,也表现为追求作品的整体视觉效果,即视觉冲击力,主要体现在抒发情性、我心写我草,重视形式、适度增强形式感,布局空间、章法强化对比度,心仪万象、态势生动多变等方面。People’s aesthetic orientation in contemporary calligraphy has turned from practicality to art-istry. As people’s aesthetic demand grade changes, various kinds of calligraphy competition and exhibition also tend to pursue the hall effect. So the aesthetic orientation of contemporary cursive writing pursues the overall vi-sual effect of the work （namely the visual impact）,mainly reflecting the expression of one’s emotion, attach-ing great importance to the form, moderately enhancing the sense of form, the layout space, the art of composi-tion to strengthen contrast, vivid and changeable posture, etc.

关 键 词：当代草书 审美取向 视觉冲击力 

分 类 号：J292.1[艺术—美术]