嵇康接收诗学的文化背景研究  

Cultural Background of Ji Kang Receptive Poetics

作　　者：杨家海[1] 

机构地区：[1]长江大学文学院,湖北荆州434023

出　　处：《郧阳师范高等专科学校学报》2014年第1期31-34,共4页Journal of Yunyang Teachers College

基　　金：2013年度湖北省教育厅人文社科重点项目"嵇康接受诗学研究"(13d023)的阶段性成果

摘　　要：嵇康是一个魏晋时期的缩影,他融合了时代的纠结。因此,要了解嵇康接受诗学,必定要从他的时代出发,从他的文化背景说起,探寻不同的文化思想对他的接受诗学产生了怎样的影响。当时儒学式微,道学复兴,玄学兴起,不同的文化背景促使嵇康形成了多元异质的思想特性,使他既能"入乎其内",又能"出乎其外"。嵇康通过比较、综合儒道思想,确立以"无"为体,以"有"为用的玄学思想,以此为基础形成了他的接受诗学,肯定接受者的主体地位和接受对象的独立价值,并用逻辑分析的方法予以论述,致使其文思缜密,便于读者接受。Ji Kang was a miniature of Wei and Jin Dynasties, who combined the complex of the time. To understand Ji Kang receptive poetics, one must understand his time, his cultural background, and different cultures and thoughts up- on his receptive poetics. He had compared and absorbed Confucianism and Taoism and set metaphysics with Having Not as the body and Having as the purpose as to form his receptive poetics, which affirmed the receptor＇s subjective status and receptive object＇s independent value.

关 键 词：儒学 道学 玄学 接受诗学 

分 类 号：I109.3[文学—世界文学]