老腔艺术表现的模式化  

The Patternizing of Laoqiang Art Manifestation

作　　者：王乐[1] 刘秀慧[2] 

机构地区：[1]河北建材职业技术学院图书馆,河北秦皇岛066600 [2]渭南职业技术学院基础课部,陕西渭南714000

出　　处：《咸阳师范学院学报》2014年第1期70-74,共5页Journal of Xianyang Normal University

基　　金：国家211工程三期重点学科建设基金项目(20081026);渭南职业技术学院科研基金项目(WZYY201323)

摘　　要：秦东地区黄河、渭河、洛河三河交汇的富庶,风调雨顺,使民众免受旱涝饥荒,繁荣的农业经济能让其有闲情逸致,生产和消费艺术;关中文明能让其充分利用近在咫尺的丰富的历史文化资源。民间大众文化特征和娱乐性终极目的决定了老腔题材、主题、情节、叙事的模式化,细节生活化的特质。The junction of the Yellow River, Wei River and Luo River in east Shaanxi Province is rich and has favorable climate, which prevents people from suffering drought, flood, famine and dearth. The prosperous agricultural economy allows people to have leisurely activities and interests to produce and consume art. Guanzhong civilization makes it possible for people to make use of the nearby plenti- ful historical and cultural resources. The features and the ultimate purpose of recreational quality as well as the meticulous life traits of the folk mass culture determines the pattemizing of the subject mat- ter, theme, plot and narration.

关 键 词：老腔 模式化 艺术表现 大众文化 

分 类 号：K892.4[历史地理—民俗学]