北朝颂碑文的流变  

Development of the Style of Ode Tablet Inscription in the North Dynasty

作　　者：张鹏[1] 

机构地区：[1]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《咸阳师范学院学报》2014年第1期98-102,共5页Journal of Xianyang Normal University

基　　金：国家社科基金重大招标项目(10&ZD103)

摘　　要：颂碑文是碑文中的重要类型。北朝颂碑文从北魏初期开始出现,是汉人碑文与鲜卑刻石记功传统的共同产物。太和以前,颂碑文以散句为主,平实质朴。太和以后,思想观念的多元化和夸饰铺陈的手法以及用典、骈偶成为其主要特色。北齐、北周分立之后,又呈现出华丽和质朴生动的区别,而到庾信创作中达到南北文学融合之后的颂碑文高峰。Ode tablet inscription is a type of tablet for its encomiastic. It appeared at the beginning of the North Wei Dynasty, under the double influence by the tradition that built tablet to recoding or praising of Xian bei nation and tablet inscription writing of the Han nationality. Before sixth century, ode tablet inscription emerges a style of plain and written in prose sentences. Then, ode tablet inscrip- tion developed to a style of gorgeous and used more patterns of parallel prose. After separation of the North Zhou and Qi, ode tablet inscription possesses regional disparity. At the end of the North Dynasty, ode tablet inscription written by Yu Xin completed blend of the different styles came from the south and the north.

关 键 词：北朝 颂碑文 铺陈夸饰 骈偶 

分 类 号：I207.2[文学—中国文学]