从“百草园”到“后花园”:论现代乡土童年书写的精神底蕴  

From “the Hundred Grasses Garden” to “the Backyard Garden”: the Spirit of Modern Local Childhood Writings

作　　者：谈凤霞[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2014年第1期120-126,共7页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金重大项目"鲁迅与20世纪中国研究"(编号11&ZD114);教育部人文社会科学研究基金项目"中英儿童文学比较研究"(编号10YJC751077)

摘　　要：从五四起始的现代乡土童年书写,追怀作家童年时代的生命经验与人事见闻,对已逝的童年乐园的忆念多源于现实中成年人生的困境。从鲁迅童年的"百草园"到萧红童年的"后花园"的记忆书写中,寄寓了作家的生命理想,也蕴藏其"失乐园"的沉痛。萧红在表现的深广度上体现了与鲁迅相接的精神底蕴,不仅传递着"励己"及"立人"的渴望,而且对个体生存和整个人类命运之荒凉底色有着深邃的洞察。现代作家的乡土童年书写大多体现了对"失乐园"的清醒意识和力求振拔的内心挣扎。Modern local childhood writings since May 4th period represents writers＇ childhood experiences and their observation of the world and people. The reminiscence of their childhood paradise is resulted from their difficult adult life in reality. From Lu Xun＇s ＂Hundred Grasses Garden＂ to Xiao Hong＇ s ＂Backyard Garden＂, the childhood writings have expressed their life ideals and their sadness of ＂lost paradise＂. Xiao Hong succeeded Lu Xun＇ s sprit in terms of the depth and breadth of expression in her writings, which not only convey the aspiration of ＂self- encouraging＂ and ＂enlightening others＂, but also show her deep insight into the desolation of individual existence and the destiny of human being. Most of the modern local childhood writ- ings reflect writers＇ clear recognition of the ＂lost paradise＂ and their inner struggle.

关 键 词：乡土 童年 失乐园 

分 类 号：I206.6[文学—中国文学]