宋代三教合一信仰格局对民间信仰的影响--以安岳、大足石窟造像为例  

Syncretic Influences of Three Religions in the Song Dynasty on Folk Beliefs: A Case Study of Anyue Grottoes and Dazu Grottoes

作　　者：叶原[1] 

机构地区：[1]西南大学图书书馆,重庆北碚400715

出　　处：《云南民族大学学报（哲学社会科学版）》2014年第2期77-81,共5页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学基金项目“人类学视野下大足石刻艺术世俗化审美价值取向研究”(项目编号:10YJA760040);西南大学2012年中央高校基本科研业务费专项资金项目“民间美术视域下大足石刻与美术教育互动关系研究”(项目编号:SWU1209326)阶段成果

摘　　要：葛兆光《中国思想史》认为由儒学代表的文明在宋代得以扩张并确立生活伦理同一性。此论阐述的乃是时代的宏观趋势,揆之具体的历史语境,宋代各种思想、信仰的关系则较为复杂。同为柳本尊信仰道场,南宋末期修建的大足宝顶山石窟相对唐末五代修建的安岳石窟,在造像题材中有意识地彰显孝亲观念。同时,自残、符咒等违背孝亲观念,带有挑战官方伦理、政治秩序的题材也未被摒弃。这一表面不合逻辑、自相矛盾的状况与儒释道三教合一信仰格局的形成及其对民间信仰的影响有很大关系。Gao Zhaoguang in his An Intellectual History of China holds that the civilization represented by Confucianism had gained mo- mentum in the Song dynasty with the establishment of its ethics. This view revealed the macro - trend of the Song dynasty but the rela- tions among different ideas and beliefs of the Song dynasty were very complicated. Compared with Dazu Grottoes built in the late Tang dynasty and the Five Dynasties with the implications of Liu Benzun＇s worship of Bodhimanda, the sculptures of Anyue Grottoes built in the late Southern Song dynasty embodied the idea of loyalty and filial piety. However, those ideas like the self mutilation and witchcraft as well as the ideas opposite to the government＇s were not totally abolished then. This seemingly illogic and contradictory phenomenon was in line with the syncretic influences of three religions in the Song dynasty on folk beliefs.

关 键 词：石窟造像 民间信仰 三教合一 

分 类 号：B911[哲学宗教—宗教学]