“恶之花”:欧美现代派城市诗学的审美转换  

“The Flowers of Evil”: The Aesthetic Turn of the Western Modernist Urban Poetry

作　　者：欧荣[1] 

机构地区：[1]杭州师范大学外国语学院,浙江杭州311121

出　　处：《美育学刊》2014年第2期85-92,共8页Journal of Aesthetic Education

基　　金：教育部人文社会科学研究规划基金项目<英美现代派诗歌中的城市书写研究>(13YJA752014);浙江省哲学社会科学规划课题<英美现代派诗歌中的城市书写研究>(12JCWW13YB);杭州师范大学城市学研究所资助课题<英美现代主义文学中的都市意象>(2011CSX26)的阶段性成果

摘　　要：欧美现代主义文学源于先锋派作家对资本主义机械化、城市化的焦虑———他们对"城市文明"既爱又恨、既排斥又深受吸引的矛盾情感。对于现代派作家来说,浪漫主义的乡村乐园已不可复得,那么只有接受城市化的现实,借助文学艺术的力量,通过"街头游荡者"的审美视角,运用"出位之思"和"艺格符换"等跨媒介、跨艺术的创作手法呈现最普通的,甚至是"丑"的日常生活图景,实现城市书写的审美化和艺术化,在城市文明的"恶"中找寻美,把"地狱"变成"天堂"。这种审美转换肇始于法国现代派先驱夏尔·波德莱尔的艺术批评和诗歌创作。The European-American modernist poetry originates from the anxiety of the avant-garde poets＇ towards the capi- talist mechanism and urbanization, from their ambivalent responses towards the urban civilization-love and hate, fascination and resistance. Being aware that the lost paradise of romantic rural life cannot be regained, the modernist urban poets come to terms with the urban reality. With the power of the literary creation, their poetry presents the mundane and even ＂ugly＂ urban life from the perspective of flaneur and by means of the inter-medium and inter-art poetics of andersstreben and ekphra- sis, seeking the ＂ flowers＂ in the ＂ evil＂ of urban civilization and turning the ＂hell＂ into the ＂heaven＂, thus achieving the aesthetic shift of modernist urban poetry, which should be traced back to the poetic creation and art criticism of Charles Baudelaire.

关 键 词：“恶之花” 城市书写 日常生活 审美化 

分 类 号：I565.072[文学—其他各国文学]