形制与思维——商周造物艺术的“方圆”意识与形制探寻  

Shape and Thought——To Explore the Art of Creation "Square and Circle " Consciousness and Shape from Shangzhou Dynasties

作　　者：王丽娜[1] 

机构地区：[1]南京艺术学院艺术学研究所

出　　处：《创意与设计》2014年第1期79-85,共7页Creation and Design

摘　　要：根据目前考古学提供的材料,发现商周时期诸多器物的形制是依托于"方形"和"圆形",我们从其墓葬、城邑遗址、青铜器、陶器的形制中都可以找到一些"方"与"圆"的形制规律,由此,笔者认为"方"与"圆"是商周时期造物艺术的常用形制之一。此类形制的形成,与商周人的思维方式及思想观念密不可分。本文试通过商周时期不同"方"与"圆"的艺术表现形式,从功用及思想观念两个层面讨论其造物艺术中"方圆"模式的形成以及揭示"方"、"圆"存在于造物艺术中的意义。Provided according to the current archaeological material, found that many artifacts shape was depended on ＂square＂ and ＂circular＂, we from the tombs, the sites of towns, bronze ware, pottery shape can be found in some of the ＂square＂ and ＂circle＂ shape, as a result, the author thinks that ＂square＂ and ＂circle＂ is one of the common shape shangzhou Dynasties of art creation. The formation of this kind of shape, and shangzhou Dynasties people＇s way of thinking and ideas are inseparable. This article tries by exploer shangzhou Dynasties different ＂square＂, ＂circle＂ of art forms, from two aspects： utility and ideas to discuss its artistic creation of ＂square and circle＂ the formation of scale and reveal ＂square＂ and ＂circle＂ exists in the artistic creation of meaning.

关 键 词：商周 造物艺术 “方圆”意识 “方圆”形制 

分 类 号：J509.2[艺术—艺术设计]