明代散文复古思潮中关于“法”的论争  

The Connotation and Significance of “Fa” Associated with the Retro Trend of Prose Theory in Ming Dynasty

作　　者：宁俊红[1] 

机构地区：[1]兰州大学文学院

出　　处：《北方论丛》2014年第2期1-6,共6页The Northern Forum

基　　金：中央高校基本科研业务费专项资金项目(编号:12LZUJBWYB040)阶段性成果

摘　　要：文学史发展中,散文字句篇章等形式的发展,并非一蹴而就。唐宋以来,散文在篇章结构上得到了很好的发展,因此,唐宋派能够通过学习唐宋古文,总结出散文篇章的"开阖首尾经纬错综之法"。唐宋之前,汉代则是文学创作中字词运用高度发展的阶段,因此,七子派学秦汉文只看到字词之丰富,体现于创作中只能字拟而句摹。前后七子与唐宋派设定的学古目标不同,但学古的趋向存在一致之处,茅坤、王世贞等都很注重作家之意境、风格与"法"之关系,他们所谓"法",即能体现作家审美风格的修辞法则,其理论本质是对古代散文审美的自觉。“Fa” associated with the retro trend of prose theory has two connotations in Ming Dynasty”.Firstly,“Fa” is related to “Qi”, and “Qi” has the features of fluidity and vitality , So the“Fa” is considered writing fundamentals.Secondly,“Fa” is relat-ed to “Yi jing” , which means people recognize prose consciously from the point of aesthetics .And the“Fa” is writer’ s distinctive methods of expression.

关 键 词：明代 文论 前后七子 唐宋派 法 

分 类 号：I207.62[文学—中国文学]