戏曲艺术与民族声乐艺术的大融合——论民族声乐的“戏”与“歌”  

The Intergration of Opera and National Vocal Music——On National Vocal music opera and song

作　　者：李媛[1] 

机构地区：[1]呼伦贝尔学院音乐学院,内蒙古呼伦贝尔021008

出　　处：《黑河学院学报》2014年第1期78-80,共3页Journal of Heihe University

摘　　要：中国民族声乐艺术巧妙地将传统戏曲和民歌演唱的艺术风格融合在一起,民族声乐对戏曲艺术表演的借鉴,对唱腔的吸纳,对表演形式的广泛利用是相当成功的。戏曲中的"唱、念、做、打"与民歌演唱的"声、情、神、形"的相互交织已深深地融入中国民族声乐文化的长河中,形成了民族声乐独具特色的艺术表现,也鲜明地反映出中国民族声乐表演艺术创造的民族品格与审美特征。Chinese national vocal music integrated traditional opera and folk art style skillfully. The refer- ence and adoption of opera art performance and aria makes great contributions to the widely used performance. The integration of ＂sing, read ,do and play＂ in the opera ＂sound, feeling, image and body＂ in the national song have deeply rooted into Chinese culture, forming the special art embodiment, which reflects the national style and atheistic feature of national vocal music.

关 键 词：戏曲艺术 民族声乐 戏 歌 

分 类 号：J616[艺术—音乐]