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作 者:刘群[1]
机构地区:[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025
出 处:《齐齐哈尔大学学报(哲学社会科学版)》2014年第2期144-147,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)
基 金:黑龙江省艺术科学规划课题:近现代大众传媒与哈尔滨戏曲生态关系研究(13B0016)
摘 要:本文从《远东报》(1910-1921)、《滨江时报》(1921-1931)中钩稽出反映清末民初东北商业重镇哈尔滨戏曲活动的史料,这些戏曲史料主要具有三方面的价值,一是描绘了清末民初哈尔滨戏曲活动的繁华盛景;二是呈现了哈埠戏曲百家杂糅、崇尚武戏、尖新风趣的个性特征;三是反映了官方和知识精英阶层追求的"教化"功能与戏园大众追求的"娱乐"功能的矛盾。这些戏曲史料对考察清末民初哈尔滨戏曲文化有着重要意义。The paper extracts historical records of the opera from Yuan Dong Newspapers( 1910 - 1921 ) and Binjiang Newspapers (1921 -1931 ). The value of these records appeared in the following three aspects. Firstly, they describle the prosperous scene of the opera campaigns of Harbin in late Qing and Early Min. Secondly, these records show the unique features of Harbin opera, including consisted of numerous schools, prefer military plays, creative and humourous. Thirdly, they reflect the confliction between the edifica- tion function counted by the government and the entertainment function enjoyed by the common fans. These historical records have sig- nificant meaning on the reseach of Harbin opera culture in late Qing and Early Min.
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