《出关》心解:鲁迅心中两个老子的纠结  

An Analysis of “ Exit”:Tangling of the Two Kinds of Lao Zi in Lu Xun's Mind

作　　者：罗贤龙[1,2] 

机构地区：[1]安徽大学哲学系,安徽合肥230039 [2]安徽建筑大学,安徽合肥230601

出　　处：《广州大学学报（社会科学版）》2013年第12期64-68,共5页Journal of Guangzhou University:Social Science Edition

基　　金：安徽省教育厅项目(SK2013B121)

摘　　要：《出关》的创作主旨是对一事不做、徒作大言的空谈家老子进行批判,而实际的阅读效果中老子成为同情的对象,客观上形成作品的复调效果,其原因表面上是由于作者主观感情的投射,而深层原因在于鲁迅思想深处有两种老子形象互相冲突:先秦思想家老子与道教教主老子。这种批判与同情并存的态度折射出五四思想启蒙者对于传统文化的复杂心态:对传统文化矫枉过正的自我批判与内心深处对民族文化、民族国家的认同。The theme of Lu Xun＇s ＂exit＂ criticizes Lao Zi as a pedant for doing nothing. But according to the actual effect of reading, it becomes the object of pity. On the surface, the contradiction polyphonic effects of the works is caused by the subjective feelings of projection, but the deep reason lies in the two kinds of conflicted images in the thought of Lu Xun ： the thinker LAO Zi of the pre - Qin period and Taoism founder LAO Zi. The coexistence of criticism and sympathy reflects complex mentality of enlighteners in the May 4th Movement ： nirvana - type self criticism and the nation state identity.

关 键 词：复调 道家 道教 

分 类 号：I206[文学—中国文学]