论《碧奴》的碎片化叙事  

On Fragmentation Narrative of Binu

作　　者：王春艳[1] 

机构地区：[1]四川文理学院环境与建筑工程学院,四川达州635000

出　　处：《淮海工学院学报（人文社会科学版）》2013年第24期60-62,共3页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

摘　　要：苏童重述孟姜女传说故事的长篇小说《碧奴》,用多种后现代的叙事艺术,使小说所涵盖的思想内蕴超出了语言的表层意义,指向人生存与命运的悲剧性。小说的叙事时间以人物动作、心理与梦境等加速或延宕了故事时间,以空间画面转化组织叙事顺序,零度情感叙事,反讽化的黑色幽默等多种叙事艺术,使小说呈碎裂化的片断推进,在加重小说悲剧性意味的同时,更引人思考人物悲剧命运的原因。The novel Binu restating the legend of Meng Jiangntu by SU Tong has covered more ideological connotations beyond the literal meaning by using a variety of postmodern narrative arts and pointing out the tragedy of human survival and fate. Various narrative techniques have been applied, including the ac- celeration or the delay of the narrative times by the actions of the characters, psychology and dreams in the novel, the narrative order organized by the transformed space images, non-emotional narration and ironic black humor. Therefore, the fragmentation of narration aggravates the tragic flavor and makes people con- sider more about the causes of the tragic fate of the characters.

关 键 词：《碧奴》 碎片化 叙事 

分 类 号：I206.6[文学—中国文学]