论张恨水“和谐”文化观  

On the Conception of Harmony in ZHANG Hen-shui's Cultural Thought

作　　者：谢昭新[1,2] 

机构地区：[1]安徽新华学院文化与新闻传播学院,安徽合肥230088 [2]安徽师范大学文学院,安徽芜湖241000

出　　处：《合肥师范学院学报》2014年第2期84-88,共5页Journal of Hefei Normal University

基　　金：教育部人文社会科学研究项目(10YJA751090)阶段性成果之一

摘　　要：张恨水的"和谐"文化思想主要是以审美文化学和审美社会学为主体建构起来的,包括对国家与民族、人与社会、人与家庭等多方面的民族精神思考和人文人性探寻。他从国家与民族、人与社会、人与家庭等方面进行审视,所呈现的是一种对社会"和谐"、民族"和谐"和家庭"和谐"的文化追寻。而张恨水的"和谐"文化思想还包括他的"和谐"文学观和在文学创作上所追求的"新旧合璧"、雅俗和谐的艺术境界。The conception of harmony in ZHANG Hen-shui＇s cultural thought is mainly built up by aesthet- ic culturology and aesthetic sociology. ZHANG considers this process as a special cultural research on the relationships between country and nation, individual and society, as well as individual and family. Conse- quently, his conception of harmony includes at least three points, namely social harmony, nation harmony and family harmony. Besides, ZHANG carries out this conception in his literary works. As a result, his novels can be written freely by both tradition and modern skills, and be appreciated by both high-educated and ordinary people.

关 键 词：张恨水 新旧合璧 雅俗和谐 文化思想 

分 类 号：I206.6[文学—中国文学]