于坚诗歌的“中庸之道”——从其诗歌走向说起  

The Moderate Road of Yujian′s Poem——Discussing from His Poetry Road

作　　者：鲁守广[1] 马维[1] 

机构地区：[1]云南大学旅游文化学院文学与新闻系,云南丽江674100

出　　处：《怀化学院学报》2014年第1期86-88,共3页Journal of Huaihua University

摘　　要：即将迎来甲子之年的于坚似乎终于找到了属于他自己诗歌的一种"方言",形成了他自己诗歌的审美风格。在诗歌的语言上,于坚转变了先前的口语创作方式,有了文言气,旧文人气。文体上追求一种糅合,杂糅了新旧文体,想寻求一种融通。创造了一种诗的"方言",只属于于坚的一种"诗的方言"。其中有雅有俗,不能一概而论。中国当代诗歌从书写集体之情到个人之情,从政治话语到个人话语,从整齐划一到天马行空,从亦步亦趋到"野怪黑乱",又从"野怪黑乱"到"新的中庸之路",这是中国当代诗歌发展史上的一次艺术"自觉",而这次艺术自觉最终在于坚的诗中完成。Six decades of the year of Yujian seems to have finally found his own poetry as a “dialect” , formed his own poetry aesthetic style . In the language of poetry , transformed the previously spoken creative way , with the classical gas , the Old Man popularity . Stylistically the pursuit of a blend , hybridity old and new style , wanted to find a facility . Created a poetic “dialects” , belongs only to Yujian as a “poetic dialect” . Chinese contemporary poetry collective affection from the writing to the personal feelings from the political discourse to a personal discourse , from the uniform to the fanciful , from slavishly to the “creeps black chaos” , and from “black chaos creeps” to “a new doctrine of Road” , which is the history of contemporary Chinese poetry an art “consciousness” , and this is the art of conscious Yujian＇s final poem is complete .

关 键 词：于坚 诗歌 中庸之道 

分 类 号：I206.7[文学—中国文学]