消费社会、商品逻辑与审美生产  

Consumer Society,Commercial Logic and Aesthetic Production

作　　者：粟世来[1] 

机构地区：[1]吉首大学学报编辑部,湖南吉首416000

出　　处：《新疆大学学报（哲学社会科学版）》2013年第5期107-112,共6页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学研究规划基金项目"西方快感理论的历史形态与演变路径研究"(11YJC751046);湖南省教育厅科学研究项目"批评范式的建构:福柯话语理论与当代西方文学批评"(12C0310)

摘　　要：在后现代消费社会中,商品生产与消费通过凸显商品的符号价值,重塑商品的文化意义,介入表意实践,参与到现代生活方式的差异化建构中。作为社会生产之一种,审美生产被严密地吸纳、整合至文化商品化的机制和进程中;审美生产成为以符号和影像为主导,满足意义占有与争夺的形象生产。在消费社会语境下,审美不再是自主性的自我确证,而是成为一种被动的景观凝视;文化不再是精神的创造,而沦为消费与梦幻的表征。In the post-modern consumer society, the production and consumption of merchandise par- ticipation in differentiated construction of the modern lifestyle through highlighting the symbolic value of commodity, and reshaping The cultural meaning of commodity, and Intervention in signifying practices. As one kind of social production, the aesthetic production is precisely integrated into the mechanism and process of the cultural commercialization, and it also becomes a image production by making the signs and images and satisfying the possession and contention of meaning. In the environment of consumer society, aesthetic is no longer an autonomic self-assurance, but has become a passive appreciation of landscape. Culture is no longer the spiritual creation, but has reduced to a representation of consumption and illusion.

关 键 词：消费社会 商品逻辑 审美生产 形象生产 

分 类 号：I01[文学—文学理论]