论西方“风景如画”的意识形态维度  

The ideological implications of picturesque in the West

作　　者：陈晓辉[1,2] 

机构地区：[1]南京大学文学院,江苏南京210093 [2]西北大学文学院,陕西西安710127

出　　处：《东南大学学报（哲学社会科学版）》2013年第1期80-85,132,共6页Journal of Southeast University(Philosophy and Social Science)

基　　金：陕西省教育厅专项科研计划项目(11JK0250)成果之一

摘　　要："风景如画"是一个人为生产的概念。它已涉及园艺、绘画、文学、戏剧布景等诸多领域,有一个从概念到艺术实践、现实体验,再到艺术实践的过程。"如画"既受市场经济活动的影响,又是带有政治意味的"如画"运动所致,更是"如画"理论家将其作为"时尚"予以制造,并为其立法的结果。"如画"在理论和实践的拓展充分揭橥了"风景如画"的意识形态本质。Picturesque is a term widely used in gardening,painting,literature and drama set design.As a product of market-oriented economy in industrial societies and an outcome of that movement of political nature,more importantly,it was a fashion that theorists started and even legislated on.The development of picturesque both theoretically and in practice fully demonstrated its ideological implications.

关 键 词：如画 自然 意识形态 

分 类 号：B83-0[哲学宗教—美学]