试论陆机诗学思想与诗歌创作的二元化特征  

On the Inconsistency of Lu Ji's Poetic Theory and Practice

作　　者：林大志[1] 

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《深圳大学学报（人文社会科学版）》2014年第1期132-136,共5页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：中国博士后基金第48批面上资助项目"中古皇族与文学流派关系研究"(20100480711);2010年度国家社科基金重大招标项目"<全先秦汉魏晋南北朝文>编纂整理与研究"(10@ZD103)

摘　　要：陆机《文赋》提出"诗缘情"的诗学主张,其诗歌创作却往往呈现寡情特征,这一存在矛盾现象的二元化特征由三方面原因所导致:一、陆机诗带有六朝诗风递变的过渡性质,是创作上复变观念影响之结果;二、"绮靡说"是陆机诗学思想不容忽视的重要方面,《文赋》侧重论述文辞表达与艺术创造;三、玄学思潮对陆机的创作行为产生影响,导致作品的情感内蕴趋于弱化。In Wen Fu, Lu Ji proposes the idea that poem follows from affections. Yet his poems are not rich with feelings and emotion. This seemingly contradictory inconsistency is mainly due to three factors： first, as a poet in the period of the Six Dynasties, Lu Ji is a transitional figure whose style undergoes gradual changes, which is typical of the poetry in this period; second, the idea of yimi （sensuous intricacy） represents an important pursuit of Lu Ji＇s poetics, while Wen Fu focuses on verbal expression and artistic creation; third, heavily influenced by xuanxue, Lu Ji＇s poem writing is , not strongly expressive of emotion.

关 键 词：陆机 诗学思想 创作 矛盾 特征 

分 类 号：I206[文学—中国文学]