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作 者:李蕊[1]
出 处:《贵州大学学报(社会科学版)》2014年第2期137-140,共4页Journal of Guizhou University(Social Sciences)
基 金:教育部2011年青年基金项目"元代北曲用韵研究"(11YJC740054)
摘 要:《元曲选》用韵经系联得19部,除了个别通押和出韵情况,与《中原音韵》高度相符。与元刊本及脉望馆本元杂剧相比,《元曲选》的用韵与《中原音韵》更为吻合。臧懋循对《元曲选》的删改反倒使其音系与《中原音韵》更为一致,因此,《元曲选》的用韵可以代表元代的语音,可以作为我们进行汉语语音史研究的语料。同时,我们也注意到,臧氏的删改虽没有改变其音系,但也湮没了一些语言现象,如通押等。The rhyming -classes of Yuan Qu Xuancan be divided into 19 categories, tally with Central Pho- nological except several Crossing - Rhyming and Out - Rhyming cases. The rhyme of Yuan Qu Xuan is much closer to that in Central Phonological than that in the Yuan dramas carried in Yuan publication and the publica- tion by Maiwang House. The revision of Yuan Qu Xuan by Zang Maoxun made the rhyme in that book much clos- er to that in Central Phonological. Therefore, it can be concluded that the rhyme of Yuan Qu Xuan represents the pronunciation of the Mandarin in the Yuan Dynasty, and can be used as materials for the research of the Chinese pronunciation in history. At the same time, we have noticed that the revision of Zang Maoxun has covered some language phenomena, i.e. Crossing - Rhyming, although it did not change the phonetic system.
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