论民间艺术美学的三个核心范畴  

Three basic categories of aesthetics of folk art

作　　者：季中扬[1] 

机构地区：[1]南京大学文学院,江苏南京210093

出　　处：《东南大学学报（哲学社会科学版）》2014年第1期91-95,133,共5页Journal of Southeast University(Philosophy and Social Science)

基　　金：中国博士后科学基金资助项目"民间艺术的美学体系研究"(2013M541632);江苏省社科基金项目"民间艺术的美学体系研究"(13YSD027)成果之一

摘　　要：民间性、生活性、艺术性是民间艺术美学的三个核心范畴。文化小传统是民间艺术赖以生存的文化生态系统,它造就了民间艺术的民间性。民间艺术是日常生活的艺术,只有在具体的时空中,其意义的接受与诠释才最为完满。以生命美学来考量,民间艺术的炫技性彰显着比精英艺术更为旺盛的生命力。民间艺术的民间性、生活性规定、制约了它的艺术性,造就了民间艺术迥然不同于精英艺术的美学体系。The three basic categories of folk art are its indigenous,utilitarian and artistic natures.Culture produces the ecology for folk art and accordingly makes folk art indigenous.Because folk art is an art in relation to everyday life,it is specific to its particular time and space.The artistic nature of folk art is limited by its indigenous and utilitarian nature of folk art,which makes folk art distinct from fine art.

关 键 词：民间艺术 民间性 生活性 艺术性 

分 类 号：J01[艺术—艺术理论]