社会结构空间转换与戏曲文化的走向——基于山西戏曲剧种演变的定量分析  

Changes of social structure and the development of opera culture:aquantitative study of Shanxi operas

作　　者：柴国珍[1] 

机构地区：[1]太原师范学院基础部,山西太原030012

出　　处：《东南大学学报（哲学社会科学版）》2014年第1期119-125,133,共7页Journal of Southeast University(Philosophy and Social Science)

基　　金：国家社会科学基金艺术学项目(10BB015);山西省高等学校优秀青年学科带头人支持计划(2011);中国博士后科学基金第四批特别资助项目(201104577);中国博士后五十批面上资助项目(2011M500954)成果之一

摘　　要：受不同历史时期社会结构空间转换的影响,不同戏曲文化之间会引起交融、互动与整合,进而导致戏曲文化生存空间的演变。对农耕、工业、知识三个时期(10-21世纪)影响山西戏曲文化生存空间因子权重值的定量化分析可知:戏曲在社会空间中由占主导地位演变为次要地位;宗教、礼乐和娱乐走向纯娱乐形式;全民性参与并获得社会认可的戏曲活动转化为少数人的"商品";不同地域文化之间"距离"的消失发展为文化的同质化并且造成戏曲文化原有的地域性、多样性与丰富性的艺术特征的消失。戏曲文化的生存空间呈现萎缩态势。The changes of social structure cause the interaction and fusion of opera cultures.A quantitative study of the influential factors in Shanxi operas in the three periods of agriculture,industry and knowledge(10th-21st century)shows the following results:the dominance of operas in social space was undermined;ceremonial music was reduced to music for entertainment only;operas which used to be participated in and appreciated by almost all social members has become commodities exclusively owned by a few people;the break of spacial distance resulted in the homogenization of cultures and the extinction of diverse local operas.Therefore,the living space for opera culture has been getting restricted.

关 键 词：戏曲文化 生存空间 社会结构 

分 类 号：I207.3[文学—中国文学]