论兰斯顿·休斯《并非没有笑声》的创伤叙事  

Analysis on Traumatic Narrative in Langston Hughes' Not Without Laughter

作　　者：李曼曼[1] 

机构地区：[1]皖西学院外国语学院,安徽六安237012

出　　处：《宿州学院学报》2014年第3期54-57,共4页Journal of Suzhou University

基　　金：皖西学院校级哲学社会科学研究项目"兰斯顿.休斯<并非没有笑声>的叙事研究"(WXSY1304);安徽高校省级优秀青年人才基金重点项目"20世纪美国族裔小说创伤叙事研究"(2013SQRW057ZD)

摘　　要：运用热奈特的叙事学理论,从叙事时间、叙事频率和叙事情境三个方面分析《并非没有笑声》的叙事特征,详细阐释了小说中创伤叙事的使用,如非线性叙事时间、对黑人前途和黑人音乐主题的重复叙事以及人物视角的不定内聚焦和外聚焦的交替使用。通过对时间倒错、重复叙事和多焦、多视角等创伤叙事策略的深入解读,剖析了休斯在小说中对传统叙事技巧的大胆创新。这种叙事策略的调整旨在唤起读者的阅读兴趣,建构黑人种族的创伤历史,彰显黑人种族渴望在白人文化主导的美国社会中获取平等生存权利的强烈诉求。Traumatic narrative that contemporary ethnic novelists create to show personal and racial historical trauma is a new narrative technique different from traditional narrative. It is to analyze the narrative characters of Not Without Laughter from narrative time, narrative frequency and narrative situation under the theory of G6rard Genette＇s narrative, explain the use of traumatic narrative in the novel,such as non-linear narrative time, narrative repetition of the theme on black future and black music as well as the alternate use of variable in- ternal and external focus of characters＇ perspectives. Through in-depth interpretation of time perversion, repeti- tion narrative, multi-focus and multi-perspective,it interprets that Hughes makes bold innovation on traditional novel narrative techniques in Not Without Laughter. This narrative strategy adjustment is intended to cause readers＇ interest ,construct traumatic history of the black race and highlight strong demand of black race to ob- tain the equal survival right in American society dominated by white culture.

关 键 词：《并非没有声音》 兰斯顿·休斯 创伤叙事 

分 类 号：I106.4[文学—世界文学]