《穆斯林的葬礼》:回族心灵史与中国形象  

“The Moslem Funeral”: History of Soul of Muslim and Chinese Image

作　　者：李雍[1] 徐放鸣[1] 

机构地区：[1]江苏师范大学,江苏徐州221116

出　　处：《阅江学刊》2014年第2期135-139,共5页Yuejiang Academic Journal

基　　金：2012年度国家社会科学基金重点项目"中国当代文艺实践中的国家形象构建研究"(12AZW003);2013年度江苏省普通高校研究生科研创新计划项目"形象诗学视域下国家形象主体性构建研究--以茅盾文学奖为例"(CXZZ13_0964)

摘　　要：《穆斯林的葬礼》展现了回族在伊斯兰文化、华夏文化和西方文化碰撞与融合过程中民族文化人格的演变。以梁亦清为代表的穆斯林传统文化人格,梁君璧、韩子奇为代表的文化混血人格,梁冰玉、韩新月为代表的现代文化人格等三种不同文化人格共同展现了回族的心灵史。《穆斯林的葬礼》以书写民族心灵史的方式构建了中国形象,展现了一个古老民族行走在从传统文明向现代文明转变道路上的艰辛及民族精神,是一部致力于挖掘回族文化心理的史诗性著作,为我们思考民族性与世界性的关系提供了新的角度。“The Moslem Funeral” shows the evolution of Muslim？s cultural nationality in collision and fu-sion process of Islamic culture, Chinese culture and western culture. Although in different forms of cultural per-sonality, Muslim traditional cultural personality represented by LIANG Yi-qing, mixed cultural personality re-presented by LIANG Jun-bi and HAN Zi-qi, as well as modern cultural personality represented by LIANG Bing-yu and HAN Xin-yue, show the history of soul of Muslim. “The Moslem Funeral” shapes Chinese image by the writing style of history of Muslim, shows hardship and spirit of nationality of an old nation in the transformation from traditional culture to modern culture. It is an epic masterpiece that is commitment to excavate the cultural psychology of Hui nationality, and it provides a new perspective for us to reflect the relationship between the national and the world.

关 键 词：《穆斯林的葬礼》 回族文化 中国形象 

分 类 号：I207.42[文学—中国文学]