非美学与作为真相程序的艺术——巴迪欧的艺术思想简论  

Inaesthetics and Art as Procedure of Truth: An Introduction to Badiou's Art Thought

作　　者：蓝江[1] 

机构地区：[1]南京大学哲学系

出　　处：《文艺理论研究》2014年第2期182-189,共8页Theoretical Studies in Literature and Art

基　　金：国家社科基金"法国当代马克思主义哲学家巴迪欧思想研究"阶段性研究成果(09CZX001)

摘　　要：在巴迪欧看来,艺术及其创作根本不需要任何先入为主的观念作为其指导,相反艺术本身就是哲学的前提之一。因此试图让艺术顺从于其意志之下的美学被巴迪欧置换为让真相从中涌现而出的非美学。这样,非美学不再寻找主宰艺术创作的观念的问题,而是立足于艺术创作如何撕裂惯常的平滑整齐的话语表象,让真相从中鱼贯而出。同时,这种艺术创作的道路是在黑夜中的蹒跚而行,在没有任何明确的路标,没有任何明亮的光线,甚至没有任何召唤的情况下,如同野兽一般,在黑夜中,面对本真,血淋淋地杀出一条作为真相程序的艺术道路。For Alain Badiou, art and its creation do not need a preconceived idea to direct or guide, as art itself is one of condi tions for philosophy. In light of this, Badiou replaces the aesthetics that subordinates art to the will of philosophy with an inaes thetics that induces truth out of art. Inaestheties no longer tries to pursue the idea or notion that governs the works of art, but fo cuses on how artistic creations penetrate the consistent presentations of everyday discourse and tease out truth from the smoothed discourse. This way to artistic creations is like a journey through darkness, with no light or any visible landmark. The art, there fore, is a beast forcing its way through the dark to reach truth, and this way of art is the procedure of truth.

关 键 词：非美学 艺术 真相程序 巴迪欧 

分 类 号：J0[艺术—艺术理论]