论浪漫主义与现代性的文化史命运  

On the Fate of Romanticism and Modernity in Cultural History

作　　者：黄力之[1] 

机构地区：[1]中共上海市委党校马克思主义研究院,上海200233

出　　处：《江苏行政学院学报》2014年第3期29-37,共9页The Journal of Jiangsu Administration Institute

基　　金：作者主持的国家社会科学基金重点项目“主流价值文化研究”(11AZD015)的阶段性成果

摘　　要：在审美文化史上,浪漫主义是一个已经过去的历史概念。浪漫主义的元素是中世纪文化的内部存在,但在本质上浪漫主义只能是现代性审美文化的标识。浪漫主义以个性、感性、情欲、自由、大众狂欢等精神,对应于中世纪文化的基本点:上层性或者贵族性、专断的统一性、禁欲主义、循规蹈矩等,现代性审美文化中的浪漫主义是泛化的浪漫主义。20世纪审美领域中发生的种种疯狂、无聊、自大、无知,标志着以浪漫主义为内核的审美之被解构,这是整个现代性社会的内在危机的必然结果。只有整个现代性过程进入健康和可持续发展的阶段,真正以美来滋润人类灵魂的浪漫主义之花才会重新绽放。In the history of aesthetic culture, romanticism has been a concept from the past. The romantic elements were inherent existence of the medieval culture, yet in essence romanticism can only be characteristic of the modern aesthet- ic culture. With individualism, sentiment, sensuality, freedom, and public carnival, romanticism differs from medieval culture characterized by nobility or aristocracy, arbitrary unity, asceticism, and dogmatism. Romanticism in the modern aesthetic culture is the generalized version of romanticism. All sorts of irrational, meaningless, arrogant, and ignorant ele- ments of the 20th century aestheticism marked the deconstruction of the aesthetic tradition with romanticism as its core, and was the necessary outcome of the internal crisis of entire modern society. Only when the whole process of modernity moves into the stage of healthy and sustainable development, the romantic flower that nourish the human soul with beauty may come to full blossom.

关 键 词：浪漫主义 中世纪 现代性 

分 类 号：G04[文化科学]