浅析藏族作家班丹小说的死亡意象及其呈现  

The Image of Death in Tibetan Writer Ban Dan's Novels

作　　者：朱霞[1] 

机构地区：[1]西藏民族学院文学院,陕西咸阳712082

出　　处：《西藏民族学院学报（哲学社会科学版）》2014年第2期30-35,154,共6页Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)

基　　金：教育部2011年度人文社会科学规划基金项目"当代藏族汉语文学转型及其多元文化背景"(项目号:11YJA751106)的阶段性成果

摘　　要：藏族作家班丹近年来的汉语小说创作,关注族人的生老病死等生命状态,在一个更加理性和深邃的层面上关注生命与死亡的内在关系;由于受藏传佛教文化的影响,班丹小说中的死亡意象,从直观的层面上显现为一种生命状态的描述,其小说的深层结构作为一种隐喻而具有深层意味,它不但印证了佛教中所言的"死期不定、死因众多",而且也暗示了"因果报应"的佛理。班丹还需要把他充满温情、具有强烈宗教意识和人道情怀的写作立场同宏大的民族历史文化视野结合起来,需要进一步开放自己的文化立场和人格,以期使他的创作获得更深远、更普遍的人类性价值。In recent years, Tibetan Writer Ban Dan's Chinese novels pay attention to Tibetans' life status suchas birth, death, illness and old age. He is concerned about the intrinsic relationship between the life and death in amore rational and deep level. Because of the deep influence of Tibetan Buddhist culture, Ban Dan presents the imageof death in his novels as the description of life status from the intuitive level, whose deep structure of novels is a meta-phor and has deep meanings. It not only confirms the Buddhism saying that'uncertain dates of death and manycauses of death'', but also suggests Buddhist doctrine'karma'. Throughout the Ban Dan's creations, we shouldcombine his writing standpoint full of warmth and strong religious awareness and humanitarian feelings with great na-tional, historical and cultural vision. We also need to further open our own cultural standpoint and personality in orderto make his works obtain more far-reaching and more universal human values.

关 键 词：班丹 死亡意象 叙述结构 

分 类 号：I207.42[文学—中国文学]