节奏的魅力——林庚新格律诗实验对传统的再发现  

The Glamour of Rhythm: Lin Geng's Rediscovery of the Classical Poetry Tradition through His Attempts at New Metrical Poetry

作　　者：罗小凤[1] 

机构地区：[1]广西师范学院文学院,广西南宁530001

出　　处：《山西大学学报（哲学社会科学版）》2014年第3期17-22,共6页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目"1930年代新诗对古典诗传统的再发现倾向研究"(12YJC751057)

摘　　要：以自由诗为主导的中国新诗其实一直都在努力与艰难地寻求自身形式秩序的建设,每个时代都有不同的发现、追求与建构。在1930年代新诗对形式的探索、实验与尝试中,林庚的新格律诗实验最具代表性。他试图从形式、语言的维度为自由诗重建一个"阵地"而实验新格律诗,在大量的实践、摸索中重新发现了古典诗传统中节奏的魅力,形成了对古典诗传统的再发现。Chinese poetry which is dominated by free verse has been trying to construct a standard order of its form, thus there has been different discovery, pursuit and construction in each period. Among the explorations, experiments and attempts on Chinese poetry form in 1930s, Lin Geng＇ s attempts at new metrical poetry is most representative. In order to rebuild a ＂battle field＂ for free verse from the aspect of form and language, he tried to write new metrical poems, when he had finished considerable amount of practices and attempts, he found the glamour of rhythm from the classical poetry tradition, leading to the rediscovery of the classical poetry tradition.

关 键 词：节奏 古典诗传统 新格律诗 再发现 

分 类 号：I207.223[文学—中国文学]